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Business Tips from Maria Piscopo
Need a quick boot in the pants to move the right direction in your business
practices? Check out these tips. Can You Make a Living as an Illustrator? by Paul Mirocha
What? Me plan? Yes, Tarzan. You plan. You are not just an artist. You are not
only an illustrator. You are the Owner of a Creative Business. First, make that
paradigm shift and learn to think of yourself that way.... Collusion Illustion by Brad Holland
Who do you antitrust? On May 4, a stock house advocate warned that "the
notion of raising stock prices or other points made by Mr. Holland [may violate
antitrust law]." He added, "certain entities in this industry (read: stock houses)
could sue for TRIPLE DAMAGES if indeed they could prove evidence of
[collusion or price fixing]."
Let me respond.... Copyright Registration Instructions & Forms
The Illustrators' Partnership has published a helpful guide (by
Cynthia Turner) about copyright, including simple instructions for
registration and pre-filled out pdf US Copyright Office registration
forms. An artist only need fill in his or her personal data to
complete the forms. Getting Real: Reflecting on the New Look of National Park Service Maps
This paper examines the techniques being developed by the U.S. National Park
Service (NPS) Division of Publications for designing plan (2D) maps with a faux
realistic look. GNSI Conference Site
The conference planning site for the Guild of Natural Science
Illustrators. Includes links to past conferences. Hiring Independent Contractors FAQ
Plain-English answers to questions about hiring independent contractors -- and
the differences between contractors and employees. @ www.nolo.com Illustration Ethics
The Joint Ethics Committee- Code of Fair Practice /
In 1945 a group of artists and art directors in New York City, concerned with growing
abuses and misunderstandings-as well as with an increasing disregard-of uniform
standards of conduct, met to consider possibilities for improvement. They realized
that any efforts must have the most widespread backing and, further, that it must be
a continuing, not a temporary, activity. Introduction to Copyright by Nancy E. Wolf, Art Resources, Inc.
An overview of the do's and don't of using copyrighted images, in
plain language. Joe Longie: Business Issues (Links)
A collection of links to articles covering all the basic
business issues with an artistic bent. Pricing, contracts,
copyright, project management, etc. Nolo- Legal Information, Books, Software, and Forms
Looking for answers to leagal issues in non-leagal language? The Nolo.com
web site provides answers in various areas of the law, including copyrights and
creative arts law. StrataCafe
Site dedicated to users of Strata3D. Free models and free
textures. Over 15000 images on the site. Active users forums
and tips & tricks database. The Art of Business: Banking on Accounts Receivable
by Eric J. Adams (creativepro.com) -
Collecting monies owed is no fun. But it's your money and no one else is going
to track it down for you. Here's how to get paid promptly and, when you're left
with no other choice, collect effectively. The Art of Business: Do Unto Others
By Eric J. Adams (creativepro.com) -
If every instance of copyright infringement were penalized, we'd all be in court.
Here's the scoop on keeping fair and clean in a digital world. The Art of Business: Finally, a Design Contract for the Little Guy
by Eric J. Adams (creativepro.com) - It's doubtful any contract you've used or
created is as comprehensive or elegant as "The Standard Form of Agreement
for Graphic Design Services," a free, downloadable contract from the
American Institute of Graphic Arts (AIGA).
___________
The AIGA Standard Contract is modular so it can be tailored for use by small
and medium sized design business. The first half is a user friendly guide to
preparing the content of a project bid. The second half contains the legal
modules you can add to the bid document. These should be modifiable to an art
business. -ed. The Art of Business: Marketing Smart
By Eric J. Adams (creativepro.com) - The current economy is characterized by
customer infidelity, where every creative firm continually faces the prospect of
losing the majority of its clients. As a result, creative professionals are finding
themselves in the unenviable position of having to continually market. The Art of Business: Negotiating Fees
By Eric J. Adams (creativepro.com) - How many times have you found yourself in
this situation? You're talking to a potential client about a project. She likes your
ideas, you like her. It seems like a go. The conversation turns to compensation and
comes to a screeching halt. Many creative professionals wither at this point because
they're not sure if they should set a set a price or ask "What's your budget?"
Most negotiation experts agree: Nothing so determines the outcome of a negotiation
as who makes the opening bid. The Art of Business: Setting Rates for Your Small Design Firm
by Eric J. Adams (creativepro.com) - If you want to turn a profit and create accurate
bids, it pays to learn how to calculate different rates for different members of your team. The Art of Business: Setting Your Rates
by Eric J. Adams (creativepro.com) - When you're solo, setting your hourly rate is a
perilous dance on the thin line between profitability and competitiveness. Here are a
few easy formulas and tips to calculate what's right for you and your market. The Art of Business: The Secrets of Sustaining Success
By Eric J. Adams (creativepro.com) - Starting a business is easy. Sustaining it is
hard. Here's what successful creative
professionals say about what makes them stay successful. U.S. Copyright Basics
All images have a copyright. It is owned by the creator or someone
designated, through a contract , by the creator. Learn more about
Copyright information here.
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